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CS: And we all have that original anime, it's there, nothing can sully it, so if you were going to do it in live-action one would hope you would bring something new to the table. What is it you are bringing specifically that is going to make it yours?
Collet-Serra: I hope that I can bring strong characters. In the original source material, I don't think the main characters are the protagonists. What I'm hoping is to bring characters.
CS: That's true. It's one of those strange stories where you literally never see the main character that is the namesake of the film!
Collet-Serra: Nobody's interesting. Tetsuo's interesting because weird sh*t happens to him, and Kaneda is so two-dimensional. That's part of the Japanese culture, they never have strong characters. They're used as a way to move the other philosophy forward.
Woot SS3 time bby~New Dragon Ball Z Kai Anime Series to Premiere on April 6 - News - Anime News Network
Majin Buu time.
Also, I should start adding to the list again soon.
If I remember right that was the original plan when Toriyama was writing it but extended it due to fan outcry or something like that.Kai is doing the Buu saga, huh?
I kinda wish they would of ended it at the end of the Android Saga since I thought it would have been the perfect ending. Oh well, I think I'll check it out just to see how different it is from the Z version.
If I remember right that was the original plan when Toriyama was writing it but extended it due to fan outcry or something like that.
Kanzenshuu said:All-in-all, when you consider what we know about how Dragon Ball was actually made, the time frames and logistics involved, and the roles and habits of those who worked on it, none of these often elaborate and even conspiratorial ideas are likely or necessary in light of the boring truth that the series’ various quirks, loose ends, and ham-fisted plot devices can most easily be explained by the fact that it was drawn by an off-the-cuff artist who was continuously pushed along by the popularity of his creation and without any clear conception of exactly where or how it would all end.
Even as butterflies ominously proliferate in town, the rumor of a mysterious creature lurking in the tunnel behind the school spreads among the children. When the body of Arié Kimura's mother is found by this tunnel's entrance, next to apparently human traces, the legend seems to be confirmed. Is the end of the world coming? In order to appease the wrath of the beast, the children decide to offer it a sacrifice: The unfortunate Arié, whom they believe to be the cause of the curse, is shoved into a well that leads to the Nijigahara tunnel — an act that in turns pushes Komatsuzaki, the budding thug who has carried a torch for Arié for a while already, entirely over the edge.
But this is only the beginning of the complex, challenging, obliquely told Nijigahara Holograph, which takes place in two separate timelines and involves the suicidal Suzuki; Higure, his stalkerish would-be girlfriend; their teacher Miss Sakaki, whose heavily bandaged face remains a mystery; and many more — brothers, sisters, parents, co-workers, teachers, aggressors and victims who are all inextricably linked to one another and all will eventually — ten years later — have to live with what they’ve done or suffered through.
Asano, whose Solanin was nominated for the 2009 Eisner and Harvey comics awards (and which was made into a feature film in 2010), delves into disturbing territory with this Lynchian horror story, told in his unnervingly crisp and detailed panels.