Re: Piercing Light VS Bonechill
Name – Kodaka Izumi
Nickname – Koda/Daka
Age – 12
Gender – Mamale
Appearance –
A living contradiction. Many words and turn of phrases are certainly available in describing Kodaka, however the most concise and easiest would be a contradiction. Something that is entirely unexpected of an intended result. It is safe to assume that Kodaka is a normal twelve year old child with a healthy lifestyle and a bright future ahead of him. It would also be safe to assume that the above is a blatant lie. Koda stands at one hundred forty-seven point thirty-two centimeters, and has a thin frame. His jet black hair cascades downward in a chaotic frenzy as strands and layers are built upon each other feathered over his shoulders, a fringe is formed over his forehead but is parted to the left side of his face barely covering his left eye. He has a tanned complexion, one that indicates a near habitual sun-bathing routine even. His smile is devious and yet bright, his eyes are so gray that they appear white and can be very obvious against his dark hair and complexion. His features are boyish and typical of someone his age. He is well-fed with puffy cheeks and just the cutest smile you could ever witness. His pearly-whites are something only the purest of the pure could conjure up, as if the world’s problems can be dissolved in a kiss; if there is untainted innocent, it is in that smile. His hair falls below his chin but no further, he claims it is an annoyance to maintain hair like that but never expresses interest in cutting it.
Despite his stature he has a willowy gait, however it is one of authority and regality. As if he has plenty of experience looking down on people. His back is never slouched, his shoulders are rigid, and his arms are near akimbo. He has a nasty habit of gesticulating with his words but otherwise nothing else I gather. On top of his head sits a silly bunch of hair that stands on head, an ahoge, it comically reacts to his emotions half the time and the other time only serves as a reminder of his presence. He can be identified by his ahoge it seems. Kodaka is nothing impressive when it comes to fighting abilities, as expressed by his muscular structure. He is of a healthy standard but otherwise doesn’t seem to have a body fitted for extended combat, or even of normal everyday running. He almost looks sickly if you look at him long enough, as if he would crumble upon the slightest of brushes. Kodaka also has a habit of smiling a professional smile, experienced in the art of deception he has improved and honed his techniques to getting what he wants. Typically no one would suspect someone of his standing would be such a blatant liar, but then again; that’s where all the fun comes in.
His clothes are relatively standard but they don’t appear of the norm. They look as though they were homemade. He wears a long overcoat that falls down to his waist that is soft in quality and snow white in color. A ridiculous ensemble of straps and pockets adorn the coat, two at his sides, two at his chest, one at his lower back, and several buttons at his collar and cuffs. The collar is raised and covers his neck and necklace neatly, but leaves his entire face untouched. The pockets and straps respectively hold a black hue against the stark difference of the white backdrop. His hands are hidden within his sleeves but upon closer inspection a silver skull ring on his right ring finger is seen. He wears a black shirt underneath. As for bottoms they are much more standard and not as flamboyant as his top, they are black slacks with evidence of tearing and cuts upon them. He has outlandish light blue sneakers however with skull designs imprinted on there.
Personality –
Cold, indifferent, moody, unreadable, bright, happy-go-lucky, liar; these are words that can accurately depict Kodaka. But they all appear jumbled and incoherent. That’s exactly what he aims to become. Kodaka is a true cynic at heart, he has no interest in worldly desires or even normal social rituals and traditions. He finds the entire concept of friendship a terrible joke but loves the ideal of deception. He doesn’t believe people are inherently good or bad but are masks to conceal their true nature underneath, a liar. Kodaka expresses this by lying constantly and hiding his true personality. Of course, that is to say, he is particularly a hypocrite. He just hates how people fall into a boorish routine of living and dying socially. Everyone is concerned with their self-image in one way or another and even though he wears a mask to hide himself he is honest about that mask. Wearing a cute poker face often he says deliberately cute things in order to annoy people, but underneath he is painfully intelligent with eloquence freezing with cruelty.
Kodaka is an extreme example of why children should not play violent video games. Random violence and the prospect of spilt blood elates him. He enjoys history and often tries to explain the inevitable cycle that history seems to impose on everything. He is a known trickster and is not above blackmailing or any other form of extorting into getting what he wants. Despite his age he is openly honest about his intentions and loves to expose how nasty people really are on the inside, he loves to insult people and loves even more to make inappropriate comments on girls despite their age. He is an instigator and is often a spectator in most bouts, Kodaka dislikes getting his hands dirty and would much rather watch people destroy themselves then have him partake in the nasty activity. He is also a bit of a story-teller, he often sits down and explains things in depth to other people because he fears they wouldn’t understand him otherwise. Rather philosophical in nature he references popular media in whatever he says to get his point across, he despises naivety and would much rather tarnish those ignorant people of their unspoiled personas. When he gets rolling on an interesting topic there isn’t much stopping him. Kodaka is also a picky eater, often hating eating things like vegetables, red meat, seafood, anything sweet, anything sour, anything too dry, anything too runny, and all of the above.
Abilities –
Sovereign Disposition -
A conceptual ability that operates on a set of beliefs rather than rudimentary magical augmentative properties one may find in equally rudimentary people. Something that allows him to inflate his ego further and allow him to reign over people as easily as, for example, commanding others to bow before them. It breaks any sort of pretense of skill and ability, strength and fluidity, intelligence and cunning, speed and finesse, since everything before a king is inferior. It seemingly stems from the universal concept of the supreme rule; everything must prostrate before God. Breaking magic, physical attacks, mental attacks, spiritual attacks, or anything else that empowers other. Creating a myriad of energy infused with his nasty personality it yawns before him and elongates around him in a personal bubble that can be expanded or shrunk for his convenience. Anything entering this diameter will find themselves bowing before Kodaka, in a manner as completely natural as death and life.
Something simple as another inflated ego or something that can counteract this disposition would be nigh impossible to come across in this universe. As it cannot be broken by the will of men, it cannot be shaped and manipulated by the pull of magic, it cannot be intruded by the intangibility of a spiritual presence, it cannot be sealed even upon his death and it certainly cannot be stopped by him either. An overwhelming pressure of magic would be enough to temper its hold, yet, when considering magic, it can break even that as well. It can be physically overwhelmed by a warrior’s punch, yet, when considering the tangibility of fists and feet, it cannot be seen nor touched. Spiritual energy or even the energy of the universe wouldn’t be enough as all bends beyond this diameter. A veil concealing himself from everything.
Those that know of this ability can, however, disrupt its path. As flowing water can be shaped to form the figure of a bottle, so to can this infinite bubble. It is not yet as physical enough to stop a furious punch, it is nowhere near magical enough to stop a simple spell, it is not a spiritual medium so those experienced can stop it, and all that exists in the universe would be enough to overpower it. Yet, that also depends on the person themselves.
Attacking with worldly desires with make your fist slower, will make your magic impotent, make your spirits disperse. Clear your mind of all worldly desires and your sovereignty shall be revealed. To put it simply, it can stop anything and everything that enters that is not without doubt or sin.
Gravitational Disposition–
Before they attack, they read their opponent’s moves. Before anything ever happens something is being read and someone is reading. There is never a random path taken when attacking, everything is orderly and neat, everything is linear and coherent. The tension and looseness of one’s muscles, the conditionings of the earth below, even the exact manner in which moves are executed that can be communicated through someone’s eyes. This disposition allows Kodaka to see all of that in hindsight and react to that. It isn’t a manner of using energy to take someone down, but rather redirect the victim’s current energy back towards them to manipulate their bodies to attack themselves. This skill boosts the ideal of using one hundred percent ability and zero strength. A step forward would result in someone being thrown, a magical fireball will result in the fireball’s dispersion. Everything comes towards Kodaka yet is redirect immediately.
This isn’t to say this is a complete counter move either; Kodaka can even initiate combat using this ability. Anything that can be moved will be moved. It is a simple concept, there is no such thing as impenetrable or piercing in the eyes of Kodaka; everything will fall as it should. This skill, however, uses the power from the earth rather than one of his own interpersonal uses. Anything earth-bound cannot be reflected or redirected, and anything moving faster than his own eyes can react will not be seen and can pass this disposition.
The crucial component of this disposition is its method of stressing the importance of redirecting energy. If it isn’t done properly or with enough accuracy it will inevitably fail. Another problem with this is how it counteracts Sovereign Disposition, these two are polar opposites and only one may be active at the same time, and seeing the recharge time of either being activated, and on how much energy it depletes activating it, it is highly recommended against using this disposition.
Chromatic Disposition –
By adorning his body with a numerous amounts of colors that all have different status inflicting effects he can create this chromatic disposition. These are not really “colors” like ones of a spectrum of sorts, but they are variable and come in different hues so they are addressed as colors for a lack of a better term. There are only truly a few colors this ability can utilize. These colors allow him to do several different tasks but they all involve some sort of physical augmentation rather than a magical one. It is not operated by magic but rather extends the natural ability of the human body. It reroutes all of the energy the body uses and assigns them different tasks and to a greater extension unlocks the potential humans have. Like, for example, did you know that humans cannot exist if they do not consume one third of the air we breathe in? The other two thirds are wasted in other bodily functions or are expelled in other, admittedly, revolting features. But it also involves in making less movements. Humans have an annoying tendency to make useless movements, from the extravagant dragon punch to the simplistic walking motion. Energy is wasted when unnecessary movements are used. But by cutting down on those movements without losing the natural undulation the body creates he can literally make more with less.
This also extends to more unnatural uses. Some of the colors allows him to use his body more efficiently while others are armaments that coat his body in an infusion of biochemical energy and magical energy. It allows him to pierce the impenetrable, allows him to cut through the intangible, and most importantly it is pretty cool. These are heavy exaggerations of course but this armament does allow him to, say for example, punch right through a fireball brushing off most of the inflicted damage to the floor rather than to his fist. It isn’t that it protects him but it expels the potential danger from an attack to a different source. If you sit on a single nail, you are sure to hurt yourself however; a bed of nails lessens the damage. It is a concept like that but that isn’t the most important part. It makes his punches heavier and hurt more while allows him to make use of his power reserve.
Inquisitive Disposition –
This is his favorite disposition and the one active the majority of the time. This allows him to ignore the bigger picture and focus on minute details. This can naturally be achieved by being a real attentive person but no real human can concentrate on a single fact for far too long, it is against our nature and we will rebel at stagnation. But this frees up all of the distraction that may, or may not, occur and allow him to focus on the fine print, on the subtle details, the hidden meaning, whatever you may call it he can see it. But that isn’t an exactly impressive ability, but rather than being able to focus on it he is also able to examine it dutifully and sometimes obsessively. Conjuring up more facts that correlate to the object of interest he can also line up these facts in a neat manner to see how they connect. It isn’t something that can be described in words but action rather. He can see and memorize the subtlest of details and with his intellect be able to deduce a fact from it. It is great for parlor tricks and awesome for freaking people out, but most of it; it allows him to get dirt on people to use as blackmail.
Negative Disposition –
Something born from negativity itself and the abyss of chaos in its entirety. It has no form, no definition, no quantifiable substance that can be felt, measured, or accounted for. This allows him to reject all that is and all that isn’t; everything in which exists and everything nonexistent. This reality is a construct embodied by belief, logical fallacies, and humanity, all of those are created from the human perspective. Everything is as it is simply because we want it as it is. But the logical contradiction in that being we cannot exist without nothingness, but it can exist without us. By breaking those hearts and their beliefs it is quite easy to shatter reality. He doesn’t need cosmic-bending powers, simply the power to obliterate the belief of a heart. We are nothing but lumps of meat with no purpose and no indication of quality. We are measured by others and we reflect ourselves based upon what we see. But what if we cannot see anything? If we cannot hear, smell, taste, measure, imagine, or be affected by anything? Then we must cease to exist.
Once the heart is shattered either via tactile telepathic reconstruction or anything verbally, visually, or mind-bending revolting methods, their reality ceases to exist and it implodes upon itself as the person – as a result – will cease. This power also makes reality in its entirety conform to Kodaka’s will, everything is speculative then everything shall be mirrored off of Kodaka’s whim. Which, in turn, means anything is possible, the impossible would just be an archaic concept. But nothing lasts forever, if such a power is left unchecked; he may reject his existence or the existence of everything.
Keyblade Form A –
Indiscriminate Taxation –
A keyblade of a simplistic design. One of six feet long and at its basic form is a simple blunt object with nothing particularly interesting to it. It is a plain silver metallic gray club that at the handle wraps his hand neatly like a pathetic leather grip. It “teeth” are three worn down pieces of metal weakly protruding from the weapon, the thing is a burden to carry and even worse as a weapon as it is incredibly imbalanced. The weapon doesn’t appear to have a cutting edge or even a proper blunt part to hit someone with, it looks frail and bitterly disgusting. As if it would fall apart from a simple touch.
Ability –
From each swing, even if it remains stationary, the weapon becomes stronger. It is difficult to believe as the quality of the keyblade does not alter in any shape or form. But whenever it is drawn and whenever it connects to a target, it becomes stronger and sharper. The “teeth” become deadly sharp to the extent where a poke could puncture a lung. But this is a type of ability that builds upon itself, the longer the battle is the more dangerous the weapon becomes. It is also a great insulator for magic and can even absorb hits and transfer them over to pure curative magic. But once the weapon is sheathed the amount of damage it can do becomes zero instantly. Also it doesn’t work if it hits inanimate objects; the damage can increase but not as much as if it were a person or another weapon.
Keyblade Form B –
Thanatos–
A deathly black weapon that is an embodiment of fear and chaos. The weapon is as dark as midnight and has blood red teeth. It has a much longer reach than Taxation being at least seven feet long. It’s neck is spiked with gray little points appearing like fragments of bone. The end of the blade is curved into a ball with more spikes protruding from it and at the center of where the ball meets is a half-opened eye. Thanatos has the ability to create a personification of death surrounding Kodaka as a powerful spiritual pressure. It also has the ability to manifest murderous intent into a tangible substance and transform it into an interpersonal weapon that can be used to defend, attack, or augment his body further. It usually assumes the form of tendrils or a massive bubble shielding him.