Creepypasta!

[Superschlock]

Ok so, reading this story/thread http://forums.khinsider.com/creativ...eepypasta-short-scary-story-two-chapters.html got me wondering if we actually had a thread dedicated to creepypasta, and I couldn't find one.
In case you don't know what a creepypasta is, it's basically a short scary/disturbing/reality bending story. More info here: http://knowyourmeme.com/memes/creepypasta
I thought it'd be a good idea, so here it is!
Post those horrifying stories to your heart's content.

On the chance that one already exists, please link me to it.

 

[Nyangoro]

Figured I should post this for those that aren't entirely sure what a "creepypasta" is.

Creepypasta | Know Your Meme

tl;dr - it's how you refer to a scary/eerie story on the internet

Below is an example taken from the above link (basically, I'm saying I didn't write it).

The Girl in the Photograph

One school day, a boy named Tom was sitting in class and doing math. It was six more minutes until after school. As he was doing his homework, something caught his eye.

His desk was next to the window, and he turned and looked to the grass outside. It looked like a picture. When school was over, he ran to the spot where he saw it. He ran fast so that no one else could grab it.

He picked it up and smiled. It had a picture of the most beautiful girl he had ever seen. She had a dress with tights on and red shoes, and her hand was formed into a peace sign.

She was so beautiful he wanted to meet her, so he ran all over the school and asked everyone if they knew her or have ever seen her before. But everyone he asked said “No.” He was devastated.

When he was home, he asked his older sister if she knew the girl, but unfortunately she also said “No.” It was very late, so Tom walked up the stairs, placed the picture on his bedside table and went to sleep.

In the middle of the night Tom was awakened by a tap on his window. It was like a nail tapping. He got scared. After the tapping he heard a giggle. He saw a shadow near his window, so he got out of his bed, walked toward his window, opened it up and followed the giggling. By the time he reached it, it was gone.

The next day again he asked his neighbors if they knew her. Everybody said, “Sorry, no.” When his mother came home he even asked her if she knew her. She said “No.” He went to his room, placed the picture on his desk and fell asleep.

Once again he was awakened by a tapping. He took the picture and followed the giggling. He walked across the road, when suddenly he got hit by a car. He was dead with the picture in his hand.

The driver got out of the car and tried to help him, but it was too late. Suddenly he saw the picture and picked it up.

He saw a cute girl holding up three fingers.

EDIT: Though I'm focused on a different short story right now, I will try and think of something to contribute to this thread.

 

[Superschlock]

Oh yeah, that might be important to add to the first post, sorry

 

[Luap]

Here's a piece I found here titled "God's Mouth."

God's Mouth

I huffed and puffed under my breath as I stared into God’s Mouth. I felt like the Big Bad Wolf ready to interrupt the innocent little pigs as they hurriedly fortified their makeshift homes. I grinned at this thought and then turned my head to look for Margaret. She was a couple of feet down the hill from the entrance of the cave, holding a walking stick close to her petite breasts. “Hurry up!” I called down to her. I turned back to the cave, still grinning. An old, rotted sign outside read ‘God’s Mouth Cave: Keep Out!’ What a tired cliché.

Margaret finally made it to the entrance and stood beside me, almost doubled over and out of breath. I looked down and smiled. “Check it out!” I laughed. “God’s mouth. Wonder where Jesus’ anus is?” I chuckled to myself. Margaret was less amused.

“Give me the damn water bottle,” she said, exasperated. The open bottle met her lips, and for a moment I felt peaceful in a way, watching her drink the water. Actually I take that back. The ‘peaceful’ comment, I mean. It was more of a feeling that was sort of hard to put my finger on or give a name, but I could settle for a nice ‘content’. Content seemed to be one of those words that manifest itself when natural, human words seemed to fail. Again, an utter cliché, but it felt good to feel a strange, mixed-up sort of happy for once.

I sighed and turned my flashlight on. I pointed it into the cave. Black. God’s Mouth. This seemed like the antithesis of a Holy Spirit. I turned again to Margaret. “You ready?” I asked. She was finally standing straight up. She nodded. I clapped a friendly hand to her back and we walked into God’s Mouth.

The inside was not unlike the preview I had glimpsed outside with my flashlight. Dark, dismal, and endlessly black. It seemed to stretch endlessly, no matter how I positioned my flashlight. The rocky terrain was damp and imposing. The last natural light slowly disappeared behind Margaret and I as we made our way deeper and deeper. I found it strange how soft and compelling the world around me now appeared, despite the stalactites, stalagmites, and other various rocky formations being so jagged. It seemed that even amongst the pointed teeth of God I could lay down and rest there forever. It was comfortable.

Apparently Margaret didn’t agree. She shivered uncomfortably under my arm. I raised my eyebrows. “Need your coat?” I asked. I tried to look at her and make non-verbal communication as explicit as possible until I realized that we were lost inky blackness of the Mouth. I bit my lip and waited, but she didn’t respond. For a couple minutes we walked in silence. She stopped and stood motionless. I stopped, too.

“Why the hell are we even in here?” she said. She sounded irritated. I shrugged – more to appease myself than her – and shoved my flashlight under my face. Bladed shadows obscured half my face, the other half illuminated in a wretched mask. “Spooky!” I cried, chuckling. She didn’t move.

I sighed. “I thought you wanted to go,” I said. I noticed how my voice echoed against the cave walls at any volume. “I mean,” I began again, scratching at my chin, “You did say you wanted to go see some nature for our vacation. And you did sound impressed when I told you about my visit to Mammoth Caves a couple years back. So…” My voice trailed off. I could still sense her irritation.

“No,” she said. I frowned. “No, you wanted to go here. I wanted to go to a beach or something. But no, a cave. A cave, Nathan!” She sounded more like the Big Bad Wolf now. “I know that you have this weird fetish for spelunking or something, but I don’t really want to be dragged in to it. Don’t get me wrong, I’d love to go on a trip and get into nature and fresh air, but this,” I could hear her arms flail and gesture about in the thick air. “This is cave air, not fresh air. This air is practically fermenting! Plus, isn’t this illegal? Can we please just leave?”

We both stood there. The only sound that could be heard was the electricity in the air being stifled and smothered by the damp atmosphere. Finally, I began to walk. I didn’t hear Margaret follow me, but I kept moving forward. Then, “Nathan,” she said, “Stop. Please stop.” So I stopped.

“I’m sorry,” she said. I could hear her moving closer to me. “I’m tired and I’m not used to running and climbing around and the like. I’m just tired.”

“It’s okay,” I said. She gripped my arm. “Really. It’s fine.” I shook my head. “Which way is out? I don’t remember.” I could feel Margaret physically pause. Neither of us could remember. Somehow, in the confusion of our argument, I’d forgotten which way we had been moving. Idiot, I thought to myself, I should have brought a goddamn rope or something to trail from the entrance of the cave. I had to take action, so without much thought, I turned 180 degrees and said, “This way.”

We walked for what seemed to be hours. My feet were tired and sore, and I could hear Margaret’s groans from behind me. She held my hand tightly. I felt terrible. This was my fault.

Then, I froze. “Hey. Hey,” I said, “Put your hand out. Feel this rock.” I could hear Margaret’s bare palm press against the stone. “Isn’t this, like…abnormally warm?” I said. She didn’t say anything. I began to work my way along the wall, feeling it as I went, shining the flashlight in front of me. Suddenly, I felt a sharp pain on my head as the ceiling of God’s Mouth met with my scalp.

“Ow! Shit!” I shouted.

“Oh, Nick, are you okay?” Margaret asked. She seemed on the verge of panic now.

“I’m fine,” I said. “Please, calm down. We’ll get out of here soon, I promise.”

I started again, pointing my flashlight upwards now to see the ceiling above me. It seemed to be getting narrower. That was strange. “Listen, uh, Margaret, babe,” I said through clenched teeth, “I think we gotta turn around.” Margaret sighed next to me.

Again, we walked for a decent length. I kept my flashlight pointed upwards this time. Sure enough, the space in the cave seemed to become smaller and smaller. If there was any resonating light left in God’s Mouth aside from my flashlight, I’m sure Margaret would have been able to see the whites of my eyes, spreading in panic. We were completely lost.

I let go of Margaret’s hand and began to feverishly feel my way along the walls. “No, Nathan!” I heard her shout. I kept going. We had to get out. If we were lost, nobody would be able to find us.

I kept feeling along the wall until I abruptly hit a corner. “Fuck,” I said aloud. “Margaret, this seems to be a dead end.” I spun around on my heel. “Margaret?” No answer. Shit.

I began to repeat my process again, almost running as I felt the wall run past my fingertips. Cool, damp rocks and jagged spears. Suddenly, I found myself at a corner again. “Fuck fuck fuck,” I shouted. “Margaret!” I was belting her name out now. In the corner of the cave’s maw where I had been thwarted so many times already, I heard a noise. It sounded like muffled static from a television. I pressed my ear against the rock. It seemed to be getting even warmer now. I heard the faint sounds of Margaret on the other side of the rock. She was screaming.

“No no no,” I said. “No no no no no.” I began running haphazardly into the walls around me. With dawning realization came a wave of sheer horror. There was no entrance. There was no exit. Only these four corners and me.

I could feel blood begin to trickle from the cut I managed to get by bashing my body into the cave’s walls. They were closing in on me. They were coming in for the kill, and soon they would be pressing in on my skull and crushing my rib cage.

I sat there for hours, waiting for death. My flashlight was becoming dim and blinking. Finally, I felt the soft touch of these rocky walls press against my back. I began to cry as I lay down on the ground. I let my flashlight roll on the small hills of stone. As I quietly stayed prone, tears dripping down my face, I turned and looked at the flashlight. Its last, fading beams of light pointed at something not far away from my face. I squinted in the darkness. My eyes widened and I felt tears fall even harder from my face. The rocks were piercing my skin now and blood dripped from all sides.

There, in the last light of my flashlight, was the appetizer. The spotlight shone on a hand whose nails were painted red, and I screamed in agony as I watched God’s Mouth chew its latest meal.

 

[Klom89]

Always With You (Found this on the Creepypasta Wiki)

"I am always with you.
I was there from the time you were born. I stood in the delivery room, staring down at you before you could even open your eyes to see me. Your parents, relatives and doctors couldn’t see me there, in the corner, watching you with cloudy eyes, but I was there from the time you were born.
And I followed you home.
I was with you always, your constant companion. You played with your toys alone while I stared from all angles in nearby mirrors; my matted, clotted hair with oily sweat that hung off my dented forehead like glue. I was always your constant companion, drifting behind your mother’s car on your ride to preschool. You alone in the bathroom, but I was on the other side of the door, wind whistling through the bruised hole in my throat. My arms twisted and hanging in their sockets as I stood hunched on the other side of the shower curtain. I wait and follow you. I follow and drift behind you.
I’m not seen. I’m almost not-there in light. You never saw me that morning as I sat across from you at the breakfast table, a shiny red clot hanging from an empty tooth socket as I gaped grotesquely at you. I wonder sometimes if you know I’m there. I think you are aware, but you’ll never understand just how close I am.
I spend hours of your day doing nothing more than breathing in your ear.
Breathing – gagging, really.
I crave to be close to you, to always wrap my crippled arms around your neck. I lie near you ever single night, cloudy eyes staring at your ceiling, underneath your bed, at your sleeping face in the dark.
Yes. You caught me staring occasionally. Your parents came running down to your room one night when you screamed. You were just beginning to talk, so you were only able to cry out “Man! Man in my room!” You thought you’d never forget the sight of me, with my collapsed jaw hanging to my chest, swinging back and forth. I sank back into your closet and your mother was unable to see me though you pointed and pointed and pointed. You thought you’d never forget when they left that same night. You saw the closet door crack so softly and me crawling across the floor to your bed on all fours, shambling in jerking movements as I pushed myself under your bed on disjointed limbs.
You learned a new word for me: boogeyman. Not quite the monster you thought I was. I’m just waiting and following you always, touching your face with my knotted fingers as you sleep.
You’ll see me again soon. Any day now, I’m coming, blunt and brutal. One day you’ll walk across the road and – I believe I’ll plow into you with loud roar and a screech.
You rolling on the pavement, rolling under wheels, bluntforce metal fenders and my fingers touching your face again and again.
As you stare up from the cold pavement with cloudy eyes; your matted, clotted hair hanging in your face and your jaw unhinged and swinging to your chest.
You’ll see me approaching.
No one else will see me. You will stare past them into my eyes and I’ll leer down at you. For the first time in our life, something like a smile will come over my face. You’ll swear you’re looking into a mirror as clotted red bubbles from our mouths.
I’ll lean down, past the doctors and the ogling people and pick you up in my crooked arms.
Our faces will touch. My wings will unfurl. And then you’ll have to follow me.
And I am always with you.
I am your guardian angel."

More philosophical than scary, but still good.

 

[Superschlock]

luap, that actually was pretty freaky haha, mostly the idea of being trapped in the cave with no way out

@klom: it seemed really weird at first, but it was kind of touching at the end in some freakish way

 

[Luap]

I've actually had a experience like that. When I was 10ish, my friend and I found this cave-like thing in some blackberry bushes. It was pretty strange, and we went in it. We didn't get trapped, as it was a very small thing, but I, being a clumsy autistic kid at the time, tripped and hurt my leg pretty badly and it was a pain to get up, and then out.

@Klom
That was pretty touching really. I personally believe we each have someone, a guardian angel, watching over us, but the idea they look like how we do as we die is really creepy.

 

[Weeaboo]

[video=youtube;z7x01qxwOqU]http://www.youtube.com/watch?v=z7x01qxwOqU&feature=related[/video]

 

[Superschlock]

Alright, so I found one on the wiki. Haven't read it yet, but the title makes it sound pretty freakin hilarious

SQUIDWARD'S SUICIDE

I want to start off by saying if you want an answer at the end, prepare to be disappointed. There just isn't one. I was an intern at Nickelodeon Studios for a year in 2005 for my degree in animation. It wasn't paid of course, most internships aren't, but it did have some perks beyond education. To adults it might not seem like a big one, but most kids at the time would shit themselves over it.

Since I worked directly with the editors and animators, I got to view the new episodes days before they aired. I'll get right to it without giving too many unnecessary details. They had very recently made the Spongebob movie and the entire staff was somewhat sapped of creativity so it took them longer to start up the season. But the delay lasted longer for more upsetting reasons. There was a problem with the series 4 premier that set everyone and everything back for several months.

Me and two other interns were in the editing room along with the lead animators and sound editors for the final cut. We received the copy that was supposed to be "Fear of a Krabby Patty" and gathered around the screen to watch. Now, given that it isn't final yet animators often put up a mock title card, sort of an inside joke for us, with phony, often times lewd titles, such as "How sex doesn't work" instead of "Rock-a-by-Bivalve" when spongebob and patrick adopt a sea scallop. Nothing particularly funny but work related chuckles. So when we saw the title card "Squidward's Suicide" we didn't think it more than a morbid joke.

One of the interns did a small throat laugh at it. The happy-go-lucky music plays as is normal. The story began with Squidard practicing his clarinet, hitting a few sour notes like normal. We hear Spongebob laughing outside and Squidard stops, yelling at him to keep it down as he has a concert that night and needs to practice. Spongebob says okay and goes to see Sandy with with Patrick. The bubbles splash screen comes up and we see the ending of Squidward's concert. This is when things began to seem off.

While playing, a few frames repeat themselves, but the sound doesn't (at this point sound is synced up with animation so yes that's not common) but when he stops playing, the sound finishes as if the skip never happened. There is slight murmuring in the crowd before they begin to boo him. Not normal cartoon booing that is common in the show, but you could very clearly hear malice in it. Squidward's in full frame and looks visibly afraid. The shot goes to the crowd, with Spongebob in center frame, and he too is booing, very much unlike him. That isn't the oddest thing, though. What is odd is everyone had hyper realistic eyes. Very detailed. Clearly not shots of real people's eyes, but something a bit more real than CGI. The pupils were red. Some of us looked at eachother, obviously confused, but since we weren't the writers we didn't question its appeal to children, yet.

The shot goes to Squidward sitting on the edge of his bed, looking very forlorn. The view out of his porthole window is of a night sky so it isn't very long after the concert. The unsettling part is at this point there is no sound. Literally no sound. Not even the feedback from the speakers in the room. It's as if the speakers were turned off, though their status showed them working perfectly. He just sat there, blinking, in this silence for about 30 seconds, then he started to sob softly. He put his hands (tentacles) over his eyes and cried quietly for a full minute more, all the while a sound in the background very slowly growing from nothing to barely audible. It sounded like a slight breeze through a forest.

The screen slowly begins to zoom in on his face. By slow I mean it's only noticeable if you look at shots 10 seconds apart side by side. His sobbing gets louder, more full of hurt and anger. The screen then twitches a bit, as if it twists in on itself, for a split second then back to normal. The wind-through-the-trees sound gets slowly louder and more severe, as if a storm is brewing somewhere. The eerie part is this sound, and Squidward's sobbing, sounded real, as if the sound wasn't coming from the speakers but as if the speakers were holes the sound was coming through from the other side. As good as sound as the studio likes to have, they don't purchase the equipment to be that good to produce sound of that quality.

Below the sound of the wind and sobbing, very faint, something sounded like laughing. It came at odd intervals and never lasted more than a second so you had a hard time pinning it (we watched this show twice, so pardon me if things sound too specific but I've had time to think about them). After 30 seconds of this, the screen blurred and twitched violently and something flashed over the screen, as if a single frame was replaced.

The lead animation editor paused and rewound frame by frame. What we saw was horrible. It was a still photo of a dead child. He couldn't have been more than 6. The face was mangled and bloodied, one eye dangling over his upturned face, popped. He was naked down to his underwear, his stomach crudely cut open and his entrails laying beside him. He was laying on some pavement that was probably a road.

The most upsetting part was that there was a shadow of the photographer. There was no crime tape, no evidence tags or markers, and the angle was completely off for a shot designed to be evidence. It would seem the photographer was the person responsible for the child's death. We were of course mortified, but pressed on, hoping that it was just a sick joke.

The screen flipped back to Squidward, still sobbing, louder than before, and half body in frame. There was now what appeard to be blood running down his face from his eyes. The blood was also done in a hyper realistic style, looking as if you touched it you'd get blood on your fingers. The wind sounded now as if it were that of a gale blowing through the forest; there were even snapping sounds of branches. The laughing, a deep baritone, lasting at longer intervals and coming more frequently. After about 20 seconds, the screen again twisted and showed a single frame photo.

The editor was reluctant to go back, we all were, but he knew he had to. This time the photo was that of what appeared to be a little girl, no older than the first child. She was laying on her stomach, her barrettes in a pool of blood next to her. Her left eye was too popped out and popped, naked except for underpants. Her entrails were piled on top of her above another crude cut along her back. Again the body was on the street and the photographer's shadow was visible, very similar in size and shape to the first. I had to choke back vomit and one intern, the only female in the room, ran out. The show resumed.

About 5 seconds after this second photo played, Squidward went silent, as did all sound, like it was when this scene started. He put his tentacles down and his eyes were now done in hyper realism like the others were in the beginning of this episode. They were bleeding, bloodshot, and pulsating. He just stared at the screen, as if watching the viewer. After about 10 seconds, he started sobbing, this time not covering his eyes. The sound was piercing and loud, and most fear inducing of all is his sobbing was mixed with screams. Tears and blood were dripping down his face at a heavy rate. The wind sound came back, and so did the deep voiced laughing, and this time the still photo lasted for a good 5 frames.

The animator was able to stop it on the 4th and backed up. This time the photo was of a boy, about the same age, but this time the scene was different. The entrails were just being pulled out from a stomach wound by a large hand, the right eye popped and dangling, blood trickling down it. The animator proceeded. It was hard to believe, but the next one was different but we couldn't tell what. He went on to the next, same thing. He want back to the first and played them quicker and I lost it. I vomited on the floor, the animating and sound editors gasping at the screen. The 5 frames were not as if they were 5 different photos, they were played out as if they were frames from a video. We saw the hand slowly lift out the guts, we saw the kid's eyes focus on it, we even saw two frames of the kid beginning to blink.

The lead sound editor told us to stop, he had to call in the creator to see this. Mr. Hillenburg arrived within about 15 minutes. He was confused as to why he was called down there, so the editor just continued the episode. Once the few frames were shown, all screaming, all sound again stopped. Squidward was just staring at the viewer, full frame of the face, for about 3 seconds. The shot quickly panned out and that deep voice said "DO IT" and we see in Squidward's hands a shotgun. He immediately puts the gun in his mouth and pulls the trigger. Realistic blood and brain matter splatters the wall behind him, and his bed, and he flies back with the force. The last 5 seconds of this episode show his body on the bed, on his side, one eye dangling on what's left of his head above the floor, staring blankly at it. Then the episode ends.

Mr Hillenburg is obviously angry at this. He demanded to know wht the hell was going on. Most people left the room at this point, so it was just a handful of us to watch it again. Viewing the episode twice only served to imprint the entirety of it in my mind and cause me horrible nightmares. I'm sorry I stayed.

The only theory we could think of was the file was edited by someone in the chain from the drawing studio to here. The CTO was called in to analyze when it happened. The analysis of the file did show it was edited over by new material. However, the timestamp of it was a mere 24 seconds before we began viewing it. All equipment involved was examined for foreign software and hardware as well as glitches, as if the time stamp may have glitched and showed the wrong time, but everything checked out fine. We don't know what happened and to this day nobody does.

There was an investigation due to the nature of the photos, but nothing came of it. No child seen was identified and no clues were gathered from the data involved nor physical clues in the photos. I never believed in unexplainable phenomena before, but now that I have something happen and can't prove anything about it beyond anecdotal evidence, I think twice about things

 

[Klom89]

@ Superschlock Wow....Squidward's Suicide was actually my FIRST Creepypasta, and then the Pokemon Silver/Black ones came next.

Oh topic....I usually hate religion with a passion, but this Pasta was too intersting to ignore:

"An Egg" (Found on the Creepypasta Wiki)

"It was a car accident. Nothing particularly remarkable, but fatal nonetheless. You left behind a wife and two children. It was a painless death. The EMTs tried their best to save you, but to no avail. Your body was so utterly shattered you were better off, trust me.
And that's when you met me.
"What... what happened?" You asked. "Where am I?"
"You died," I said, matter-of-factly. No point mincing words.
"There was a...a truck and it was skidding..."
"Yup." I said
"I... I died?"
"Yup. But don't feel bad about it. Everyone dies." I said.
You looked around. There was nothingness. Just you and me. "What is this place?" You asked. "Is this the afterlife?"
"More or less," I said.
"Are you god?" You asked.
"Yup." I replied. "I'm God."
"My kids... my wife," you said.
"What about them?"
"Will they be alright?"
"That what I like to see," I said. "You just died and your main concern is for your family. That's good stuff right there."
You looked at me with fascination. To you, I didn't look like God. I just looked like some man. Some vague authority figure. More of a grammar school teacher than the almighty.
"Don't worry," I said. "They'll be fine. Your kids will remember you as perfect in every way. They didn't have time to grow contempt for you. Your wife will cry on the outside, but will be secretly reliveved. To be fair, your marriage was falling apart. If it's any consolation, she'll feel very guilty for feeling relieved."
"Oh," you said. "So what happens now? Do I go to heaven or hell or something?"
"Neither," i said. "You'll be reincarnated."
"Ah," you said. "So the Hindus were right."
"All the religions are right in their own way," I said. "Walk with me."
You followed along as we strolled in the void. "Where are we going?" "Nowhere in particular," I said. "It's just nice to walk while we talk."
"So what's the point, then?" You asked. "When I get reborn, I'll just be a blank slate right? A baby. So all my experiences and everything I did in this life won't matter."
"Not so!" I said. "You have within you all the knowledge and experiences of all your past lives. You just don't remember them right now."
I stopped walking and took you by the shoulders. "Your soul is more magnificent, beautiful, and gigantic then you can possible imagine. A human mind can only contain a tiny fraction of what you are. It's like sticking your finger in a glass of water to see if it's hot or cold. You put a tiny part or yourself into the vessel, and when you bring it back out, you've gained all the experiences it had."
"You've been a human for the last 34 years, so you haven't stretched out yet and felt the rest of your immense consciousness. If we hung out here for longer, you'd start remembering everything. But there's no point doing that between each life."
"How many times have I been reincarnated, then?"
"Oh lots. Lots and lots. And into lots of different lives." I said. "This time around you'll be a Chinese peasant girl in 540 A.D."
"Wait, what?" You stammered. "You're sending me back in time?"
"Well, I guess technically. Time, as you know it, only exists in your universe. Things are different where I come from."
"Where do you come from?" You pondered.
"Oh sure!" I explained. "I come from somewhere. somewhere else. and there are others like me. I know you'll want to know what it's like there but you honestly won't understand."
"Oh." you said, a little let down. "But wait. If i get reincarnated to other places in time, could I have interacted with myself at some point?"
"Sure. Happens all the time. And with both lives only aware of their own timespan you don't even know it's happening."
"So what's the point of it all?"
"Seriously?" I asked. "Seriously? Your asking me for the meaning of life? Isn't that a little stereotypical?"
"Well it's a reasonable question." you persisted.
I looked in your eye. "The meaning of life, the reason I made this whole universe, is for you to mature."
"You mean mankind? You want us to mature?"
"No. just you. I made this whole universe for you. With each new life you grow and mature, and become a larger and greater intellect" "Just me? What about everyone else?"
"There is no one else," I said. "In this universe, there's just you, and me."
You stared blankly at me. "But all the people on earth..."
"All you. Different incarnations of you."
"Wait. I'm everyone!?"
"Now your getting it." I said, with a congratulatory slap on the back.
"I'm every human who ever lived?"
"Or who will ever live, yes."
"I'm Abraham Lincoln?"
"And you're John Wilkes Booth, too." I added.
"I'm Hitler?" you said, appalled.
"And you're the millions he killed."
"I'm Jesus?"
"And you're everyone who followed him."
You fell silent.
"Every time you victimized someone," I said, "You were victimizing yourself. Every act of kindness you've done, you've done to yourself. Every happy and sad moment ever experienced by any human was, or will be, experienced by you."
"Why?" You asked me. "Why do all this?"
"Because someday, you will become like me. Because that's what you are. You're one of my kind. You're my child."
"Whoa." you said, incredulous. "You mean I'm a god?"
"No. Not yet. You're a fetus. You're still growing. Once you've lived every human life throughout all time, you will have grown enough to be born."
"So the whole universe," you said. "It's just..."
"An egg of sorts." I answered. "Now its time for you to move on to your next life."
And with that, I sent you on your way."

 

[Superschlock]

lol the squidward one was kind of ridiculous

and klom, that was actually really interesting, i liked it

 

[Kiba]

Waht the heck! Someone actually made a Lost Silver game?! o.o That one is super creepy!

 

[Informal Gluttony]

this is totally my favorite creepypasta ever. short and sweet.

The Portraits (from the Creepypast FB page)

There was a hunter in the woods, who, after a long day hunting, was in the middle of an immense forest. It was getting dark, and having lost his bearings, he decided to head in one direction until he was clear of the increasingly oppressive foliage. After a what seemed like hours, he came across a cabin in a small clearing. Realizing how dark it had grown, he decided to see if he could stay there for the night. He approached, and found the door ajar. Nobody was inside. The hunter flopped down on the single bed, deciding to explain himself to the owner in the morning. As he looked around, he was suprised to see the walls adorned by many portraits, all painted in incredible detail. Without exception, they appeared to be staring down at him, their features twisted into looks of hatred. Staring back, he grew increasingly uncomfortable. Making a concerted effort to ignore the many hateful faces, he turned to face the wall, and exhausted, he fell into a restless sleep.

Face down in an unfamiliar bed, he turned blinking in unexpected sunlight. Looking up, he discovered that the cabin had no portraits, only windows.

 

[Superschlock]

lol i dont get it

 

[Klom89]

lol i dont get it

Neither do I........I'm confused......What exactly was creepy about it? I can't grasp the story at all. Just some guy in the woods seeing things.....

 

[Informal Gluttony]

Neither do I........I'm confused......What exactly was creepy about it? I can't grasp the story at all. Just some guy in the woods seeing things.....

The paintings of horrific faces were actually windows with the faces staring in at him. Rape is implied.

 

[Luap]

The paintings of horrific faces were actually windows with the faces staring in at him. Rape is implied.

So the people come into his house and then rape him?

 

[Klom89]

So the people come into his house and then rape him?

I never got that message at all......Seemed more like a supernatural hallucination to me. Oh, well. Back on topic, I found a decent one:

Button Day
Laura was woken by her father; something that he had not done since she was a child. As her thoughts slowly swam back into focus, she was suddenly sure that she had slept naked and he had seen her, but to her relief she was wearing her baby-blue pyjamas. God, what was he doing in here anyway?
“Come on, you,” he said brightly, opening the curtains and letting the sunlight in. Outside, she could hear a lawnmower running, perhaps in the next street, and what could’ve been birdsong. “It’s Button Day, remember? Get dressed, put something nice on. We’re leaving in an hour.”
Laura stirred, her voice groggy. “Dad, what the hell? Couldn’t you just knock? What if I’d slept nude?” He didn’t look at her, he was too busy admiring his garden from the window. “Oh, you’ve nothing I haven’t seen before. I’m your bloody father, I‘ve wiped your arse many a time before now.”
“Not the point, Dad.“ Squinting, Laura sat up, rubbing her eyes, and remembered what he’d just said. “Dad, did you just say ‘Button Day’?”
“Well, yeah. What, did you forget?” He laughed as he crossed the room to the door. “You were only talking about it last night.”
“Wait - what?” She frowned, not understanding. Something was wrong here. A fine way to start the day, really. She hadn’t even gotten out of bed yet, and she was already getting weird shit. “What are you talking about?”
He shook his head, still smiling as he left the room. “Get dressed. Breakfast is ready.”
He left her sitting up in bed, holding the covers to her breasts, a look of confusion on her face. Eventually she got out of bed, and began to pull some clothes on that were to hand. Familiar sounds floated up to her from downstairs: pots and pans rattling, the TV on low, the muffled tones of her family talking to each other, a short, harsh laugh - her brother. No doubt laughing at the TV.
She did her zipper on her jeans, and stood for a second before finally saying out loud, “Button Day?”
Downstairs, her mother was washing the dishes, humming to herself. Sunlight filled the room, making it warm and fresh. Her father and brother were sitting at the table, eating toast. There was a plate set for her, and she sat down, pulling it towards her. Her brother was wearing a crisp white shirt - and he never wore shirts. She doubted that he even owned one. This was one of her father’s, she recognised it.
“What’s with the shirt?” She asked, picking her toast up, and his eyes never left the TV, which was typical of him. A year younger than her at fourteen, he was arrogant and know it all to boot. “It’s Button Day, isn’t it?” He mumbled through a mouthful of toast, and her mother turned around, and tutted loudly at him.
“Mark, don’t talk with your mouth full.” She saw Laura and sighed. “Laura, you could dress a little better than that. At least make an effort.”
“What for?” Laura said, then looked at the ceiling, irritated. “Oh wait, let me guess. Button Day. Am I missing something here?”
Her mother shook her head, turning back to the dishes. “Don’t be so childish, Laura. It doesn’t suit you. Please make sure you get changed into something else before we leave.”
“I wanted to see Michael today. I’m not going with you, sorry.”
A hush fell over the kitchen as everyone stopped what they were doing and stared at her in surprise. Warily, Laura said, “What?”
“Are you crazy?” Her brother asked. “You can’t go out today, you’re coming with us!”
“Laura, you made plans? Today, of all days?” Her father asked, and she pushed back on her chair as a dull anger rose in her.
“Yes, I made plans! What the hell is going on this morning?”
No-one answered her. They were staring at her as if she’d took a crap on her plate. She got up, pushing her plate away. “You know what? Forget it.”
“Laura, stop this, right now,” her mother snapped. “You knew perfectly well what we were doing today. It’s been planned for a long time. Now you can just call Michael and tell him why you’re not seeing him.”
“That’s just it!” Laura yelled. “What do I tell him? I don’t know why I can’t go! It’s just you telling me I can’t!”
“It’s Button Day,” her brother said. “That’s why.”
“Button Day?” She cried. “What the hell are you all talking about? I’ve never heard of Button Day! You’re all acting like-” She suddenly stopped, comprehension dawning on her face. Her family were playing a joke on her. This was all a joke. With a warm rush, a huge weight lifted from her shoulders. Now she understood.
“Very funny, guys,” She said, her voice calm and collected. “You really had me going there.” She turned and left the room, heading for the front door. As she went, her mother called after her, “Laura! Please be back in an hour, we can’t leave without you, okay?”
“Yeah, yeah,” Laura called back. “I wouldn’t want to miss Button Day, would I?”
The short walk to Michael’s house gave Laura enough time to feel guilty about how angry she had gotten with her family. As she’d gotten older, her temper had shortened. She planned on apologising later - she had an hour, right? Wasn’t that what her mother had said?
I wonder where we’re going, Laura thought, watching a plane a few miles above cut a white line across the sky. Or was that a joke too? Was it that they really were going out, and it had been a planned thing, and she had simply forgotten all about it?
She could see Michaels house from here, with the white fence and broad front lawn. She began to jog, eager to see him. As she crossed his driveway the front door opened and Michael came out with a look of shock on his face. He had seen her coming up the street.
“Hey, what’s wrong?” Laura asked, and to her dismay he suddenly looked a little angry. “You shouldn’t be here,” he said.
“What, did we fight, and I missed the memo?”
“You told me this was your family’s Button Day,” he said, and there was movement behind him.
Laura blinked, her mouth open in surprise. A blonde girl came to the door, squinting in the light, and slinked her arm around Michael. She was wearing a nightshirt and nothing else, and her hair was tousled.
“Go home,” the blonde said, and Laura backed away, blinking back sudden tears. Michael would not meet her eyes, so she turned and ran.
Her mother caught her just as she was about to run into her bedroom.
She pulled Laura close, holding her as she sobbed. “I know, I know. Let it all out.” She stroked Laura’s hair, rocking her a little. “Men are bastards, aren’t they?”
Laura pulled back to look at her mother, sniffing. “…You know?”
“You’ve just come back from his place in floods of tears. It doesn’t take a genius to work out what happened.”
“He’s got himself a blonde. A blonde! I’ll bet that’s why he wanted me to dye my hair!”
She cried for a little longer, and her mother held her. “There, there. Come on. Let’s get you changed for our trip.”
“…So we are going out?”
“Of course we are, silly! Here we are, this is a nice blouse. Your best, I think. Put this on, I want us looking our best for our Button Day.”
Laura’s stomach rolled lazily. She suddenly remembered Michael mentioning Button Day, too. This wasn’t a joke. This was real. It was all real, and she didn’t have a clue what was happening.
“Mom, listen to me a minute. Something here is very wrong.”
“I know. You really liked him, I know you did. It’s terrible that he’s upset you, on this day, of all days.”
“That’s just it, Mum - I don’t know anything about Button Day. I’ve never heard of it, and since this morning I feel as if I’m the only one who hasn’t the faintest idea what’s going on!”
“Well, to be honest, I’m no expert. I know it was the Governments idea to combat overcrowding, but other than that-”
“No, no. I mean at all. I’ve never heard of it.”
There was an uneasy silence, in which her mother looked at her for a long time. Her mouth was set in a hard line.
When she finally spoke, her voice was calm. “I know you’re upset, so I’ll play along with your little prank, okay? Just get changed - here’s your blouse - and I’ll see you in the car in five minutes, okay? We’re waiting for you.”
Her mother walked away, leaving Laura alone and frightened, her best blouse in her trembling hands.
The next thing she knew, she was in the car. Everything was flowing by in a fluid, carefree motion that made her feel more and more uneasy. What the hell was going on? Why did she not recall anything about this day that everyone was talking about?
She could see everything in absurd detail, slowed down to super slow motion: The fluff on the back of her mothers headrest. A bit of stubble that her fathers razor had missed. A crack in the pavement as they passed. She suddenly felt more lucid than she had ever felt in her whole life, yet she was unable to speak, trapped inside her own body. It was as if she were a puppet, walking on strings made from fear’s own web.
Somewhere deep inside, she was still clinging to an ocean-battered rock of hope, a charred crater of sense that told her that this was all a massive joke, a huge, elaborate hoax. As they pulled up outside the white, box-like building, squat and stern, that hope faded.
“Here we are,” her father said cheerfully, and she felt herself pull the door handle and step out of the car. She stood trembling in the sun like a baby deer, the building bearing down on her as if it had teeth.
Acting as if they were at the seaside, her family got out of the car, chatting animatedly. They set off towards the main entrance, Laura trailing behind. A sign stood over them: GOVERNMENT PROPERTY - KEEP OUT. She saw the security cameras watching them, and hurried after her family, her footsteps flat and dead.
The door to the building was made of glass, and as they pushed through into the clean lobby, Laura saw a receptionist busily typing on a computer. The receptionist looked up with a professional smile at her father as he approached.
“Hi, we’re the Krandalls. Here for our Button Day,” he said, and she smiled.
“Go on through, sir. Just keep walking that way.”
Her father thanked her, and on they went, down a long brightly lit corridor, lined with brass plaques which gleamed. There was something engraved on them all, blocks and blocks of text, and she drew closer as she walked to see what it was. She saw her own reflection looking back at her, and in the harsh fluorescent lights, she looked haggard.
Names. Hundreds and hundreds of names, thousands of names, one after another. Hogg. Wilson. Carpenter. Buxton. Bell. Palmer. Rowe. Brown. The list went on, seemingly endless. Her family walked on, still chatting as if they were on holiday, and up ahead the corridor was coming to an end.
The corridor opened up into a large, white room. In this room, four small, waist high pillars stood, each with a red button on the top. Beyond them was a long polished desk, with three Government officials seated at it. The Government insignia hung on a huge banner over it all. The room was silent, and sterile.
Laura watched her family each step up to a pillar, watching the officials expectantly, leaving a pillar for her. Her very own button. Trembling, she stepped up to the pillar, only to notice with a jolt that the floor around them all was on a slight incline, angled towards a drain behind that she hadn’t noticed when she had first arrived. One of the officials spoke, his voice echoing in the open space.
“Krandall family. The Government has deemed this to be your Button Day. We thank you for your sacrifice to your country, and to your people. Your names shall join those in the long Hall in your honour.”
“We’re proud,” her father said, and her mother nodded, sincere. Her brother looked as if he were about to weep with pride.
The official continued. “Then please, in your own time, push your buttons. May God be with you all.” Her father turned to his wife, his son, and his daughter, and smiled. “I’ll go first, to show you how easy it is.” He pushed the button on the pillar, and it depressed with a loud, satisfying click.
As Laura watched, her fathers face turned red, as if he’d been jogging. She remembered how easily flustered he got with exercise, and assumed he’d just walked too fast down the corridor, or something. That was when a crimson teardrop slid down his cheek, and plopped fatly onto the hard, white floor.
Laura watched, frozen, as blood began to pour from her fathers eyes, nose, ears and mouth. It ran down his shirt, over the belt that she had bought him for his birthday, and down his trousers. It splattered onto the floor. All at once, his eyes burst like over-ripe plums and hung on his cheeks, still connected by red strings. Liquefied brain ran from his eye sockets.
As his body crumpled to the floor, her mother and brother looked at each other and smiled, pushing their buttons at the same time. They turned to Laura, holding their hands out, blood seeping from their eyes and noses, tricking from their mouths. They assumed Laura had pushed hers, too.
Laura drew in a breath to scream, but the soft pop of her mothers and brothers eyeballs made it catch in her throat. They fell over backwards, landing on top of each other. Blood was being channelled to the drain, which drank quietly.
All was silent.
“Miss Krandell?”
Numb, she saw the officials watching her closely.
“Miss Krandell, overpopulation is destroying our towns and cities. Your country needs your action today.”
She stared wide-eyed at the official. To her side, her brothers hand twitched, the last of the nerve impulses fading. Blood was already congealing in his empty eye sockets.
The official was standing up slowly, and she saw that he was a tall man. Taller than most, no doubt. “Humanity has called,” he said, his voice dropping to almost a whisper. The world had faded away to the button under her fingertips. It was smooth and red. Pushable.
“…Will you answer?”

 

[Superschlock]

The paintings of horrific faces were actually windows with the faces staring in at him. Rape is implied.

Still, it didn't say he woke up bleeding or anything

 

[Klom89]

Still, it didn't say he woke up bleeding or anything

Plus.....Who raped him? The people outside the window? (Wow, put that in the right context and that sounds wrong on many levels)