Starting is the hardest part of anything. Like, with essays in school/classes even if you know your subject giving an intro is a pain. First person stories are easier (in my opinion) than third person though. What I like to do sometimes (its just my writing style though, so I wouldn't say it'll work for everyone) is to have the character show a stream of consciousness, if only for a second, and then explain the reasoning behind it. Here's one I did a long time ago:
"I hated this mission. I had just started it, and already I could tell I hated it. I was crammed inside the ventilation of a very large building, crawling around looking for a specific room on the second floor. I don’t know if you’ve ever played a video game or watched a movie in which a spy sneaked in a ventilation shaft, but it is a hell of a lot more crowded then they make it look. "
This might feel awkward to use as a tool, but once you get over the bump that everyone faces in the beginning, things will start falling into place, and it quickly tells the audience what's happening. Just from those couple of sentences, I can trust that the audience knows the character is getting his cloak-and-dagger on. And that he's not very happy with how things are going, if that matters.
Or you can just go out and say what's happening, if you have an idea of how to transition it all smoothly:
"I could hear the ever familiar slow beeping by my bedpost, as well as feel the weak but warm streaks of sunlight that reached my bed from the window above my head. Endless chatter filled the hall leading to my room, and as usual I could not make sense of any of it. The door opened and I lifted my head in time to see a man in a white coat holding a clipboard enter."
It also depends on what tone you want to take with it though. With that bit, I had just wanted to introduce the doctor and get it over with. But if I had wanted it to be much more depressing I could have said something about how the streaks of light were weakly entering the room and were quickly diminished into the darkness, or something. Not sure how well it would have meshed though.
Sorry, I was getting a bit off the rail there. I think it always comes down to how your character feels when starting out. Channel whatever emotion the character feels into descriptions. The hardest part is telling your audience your character's name, doubly so if (s)he's alone. Unless you plan on making the character mysterious or don't think the name is at all important you can avoid it until later (like when (s)he meets up with an acquaintance) but usually you can get by with a minor character asking for his/her name, or having the character fill out some sort of sheet (homework or a motel sign in sheet, maybe?). If worse comes to worse you can do one of those "My name's xxxxx! And this is my story..." though you should try to avoid that.
I know that was a lot to go through but I can dense it down a bit if you'd like. Hope it helps though!
"I hated this mission. I had just started it, and already I could tell I hated it. I was crammed inside the ventilation of a very large building, crawling around looking for a specific room on the second floor. I don’t know if you’ve ever played a video game or watched a movie in which a spy sneaked in a ventilation shaft, but it is a hell of a lot more crowded then they make it look. "
This might feel awkward to use as a tool, but once you get over the bump that everyone faces in the beginning, things will start falling into place, and it quickly tells the audience what's happening. Just from those couple of sentences, I can trust that the audience knows the character is getting his cloak-and-dagger on. And that he's not very happy with how things are going, if that matters.
Or you can just go out and say what's happening, if you have an idea of how to transition it all smoothly:
"I could hear the ever familiar slow beeping by my bedpost, as well as feel the weak but warm streaks of sunlight that reached my bed from the window above my head. Endless chatter filled the hall leading to my room, and as usual I could not make sense of any of it. The door opened and I lifted my head in time to see a man in a white coat holding a clipboard enter."
It also depends on what tone you want to take with it though. With that bit, I had just wanted to introduce the doctor and get it over with. But if I had wanted it to be much more depressing I could have said something about how the streaks of light were weakly entering the room and were quickly diminished into the darkness, or something. Not sure how well it would have meshed though.
Sorry, I was getting a bit off the rail there. I think it always comes down to how your character feels when starting out. Channel whatever emotion the character feels into descriptions. The hardest part is telling your audience your character's name, doubly so if (s)he's alone. Unless you plan on making the character mysterious or don't think the name is at all important you can avoid it until later (like when (s)he meets up with an acquaintance) but usually you can get by with a minor character asking for his/her name, or having the character fill out some sort of sheet (homework or a motel sign in sheet, maybe?). If worse comes to worse you can do one of those "My name's xxxxx! And this is my story..." though you should try to avoid that.
I know that was a lot to go through but I can dense it down a bit if you'd like. Hope it helps though!